Climate Notes was an emotive, interactive exhibition and performance work that explores how we feel about climate change through music, letter writing and film. Developed by the Royal Botanic Gardens with funding from the Inspiring Victoria program, the project commissioned six Australian composers from different cities to write works evoking feelings about climate change and responding to the letters.
In 2019, to celebrate International Year of the Periodic Table and the 150th anniversary of Dmitri Mendeleev’s 1869 discovery, Melbourne artists Damon Kowarsky and Hyunju Kim were commissioned to design 51 images describing the birth of the universe through to the charting of the elements on the Periodic Table. These 51 images were installed on hexagons in the gallery at Quantum Victoria.
A multi-disciplinary panel gathered to discuss what they see as inspirational for scientists, governments and communities to take action in response to COVID-19, devastating bushfires, and systemic racism and social unrest. Before the pandemic we were amongst the unbridled fires, lush landscapes were blistering, and communities came together to offer donations and support to rebuild towns that were destroyed. During the pandemic and in lockdown we feel as if we’re in a snow dome. Gaps in wealth, age, sex, age and disability became highlighted and people marched forcefully with thunder in response to social injustice. Once we emerge, we hope to have better communication with scientists and vigorously carve out a new equilibrium.
The inaugural Science Gossip event was held at the Royal Society of Victoria on the 15th of May. The event planted artists, philosophers, the public and scientists in common ground to discuss and unravel the secrets of forest communication, complexities and communities. Dr Renee Beale invited RSV members and guests to ‘really see trees.’
As an animator, most of Dr Drew Berry’s days are spent reading scientific literature and going on long walks to think about what he reads while his computer runs tasks. There is a great deal of data on cellular processes, however the full story is often scattered among multiple studies and papers (i.e. all the details of one machine complex may be comprised of multiple proteins that work together, and each is described individually). Dr Berry therefore has to piece the jigsaw puzzle together to show the big picture while keeping the smaller details accurate. He also has to make artistic choices that may not always reflect the science of what’s going on. Colour is not relevant at the cellular and molecular levels; but he uses it in his animations to evoke moods and emotions, allowing him to better engage his audiences and also make it easier to distinguish between different components and processes of a cell.
