This article from George Hook at Federation University canvasses his extensive collation of clues from historical narratives, maps and surveying techniques to limit the search area for the vantage point where von Guérard sketched the view on which he based his painting of the Kosciuszko massif. Novel use of spatial technology utilising satellite imagery, Global Positioning System (GPS) and Shuttle Radar Topography Mission (SRTM) data, particularly digital elevation models, to locate the actual site is explored, and the topographical accuracy of his sketches evaluated when compared with photographs taken from close to the site. Finally, the potential value of using spatial technology in art history field work is discussed.